Post 2: Progress Report for Personal Learning Plan

Learning can be Painful

Learning new skills can be hard. Most of us can look back on our early academic careers and remember a time when we said to ourselves, this is the hardest semester I have ever taken. Or remember being faced with feelings of hopelessness, frustration, and fatigue. Well, if these degrees were easy then everybody would have them. But what exactly is it that makes some semesters harder than others? The answer is most likely the fact that we’re actually learning new skills; we’re creating new neural pathways in the brain. When you’re taking a course that feels very hard, that is a telltale sign that you’re learning something brand new. If you’re taking a course that feels easy, it’s most likely because you knew the material or had previous knowledge similar to what was already being taught. In Destin Sandlin’s video on Smarter Every Day “The Backwards Brain Bicycle” [1], when learning a new skill, it’s not enough to have knowledge about how something is done. You must have understanding. How do we gain understanding? We get it by practice. Over and over. Of course, this isn’t the entirety of the message of Sandlin’s video, it’s only a small part. Sandlin highlights how riding the reverse bike is very hard and frustrating. His brain wasn’t wired to manipulate the handlebars combined with how one intuitively balances on two wheels. In my experience, it isn’t necessarily frustrating because you knew how to do something, then you couldn’t because of one small change (although that can certainly occur). Rather, learning anything brand new can be challenging because it requires many stages of incompetence and failure before any kind of progress can be achieved. This is the price we must pay for mastery. I like this one quote by Stephen McCranie about success, “the master has failed more times than the beginner has even tried” [2]. It seems that proficiency at any skill is built upon sweat, blood, and tears. Not only that, but perseverance in the face of repeated failure. This has has been my experience in learning even the most basic of coin magic.

Failures and successes

I have attempted to document my failures by keeping track of each attempt at a coin magic trick after memorizing some basic steps of each. Once the steps of the trick were memorized I attempted to execute the trick, slowly, without reference to the book, and while recording or watching myself on video to see how the coin trick might look to an observer, and to alter my own behavior if necessary.

After each attempt, I placed a tick mark on a sticky note in order to keep track of whether or not the attempt was a failure. On the very first day I had many failures, even while going through the coin tricks as slow as possible. The purpose of documenting the failures is to highlight the fact that any new skill, trivial as it may seem (especially when it comes to coin magic), might involve many moments of failure before some acceptable level of proficiency is reached. Here I use the term proficiency lightly.

It should be noted that these sticky notes don’t reflect how many times it took me to walk through the steps of the trick while pausing to read the book and interpret how the descriptions of the movements translate into physical manipulation of the coins. These tick marks are only failures after I had already memorized the manipulation steps, which was slow and painful in and of itself.

Videos Documentation of the best of first “successes”

These videos serve only to highlight the fact that I was able to learn the brute force, slow, deliberate, and unconvincing steps required to (maybe) eventually learn the trick in a fast, smooth, and natural way. These tricks are in no way meant to reflect how the trick is supposed to look. A master coin manipulator I am not, and I do not do justice to these tricks in any way. I have to admit that I respect magicians quite a lot, and this video documentation of my coin magic baby steps certainly does violence to the coin illusionist profession.

Learning By Doing

This is certainly an example of learning by doing. Although, this is not an apprenticeship in the traditional sense unless the words of J.B. Bobo count as indirect apprenticeship since I am directly utilizing his knowledge, except that he isn’t physically here to guide me (he passed away in 1996). However, Bobo frequently includes notes to the learner about nuances or tricks of the trade which wouldn’t be apparent to the learner based purely on the book images of the coin tricks alone. The apprentice attempts to follow the model of an experienced master journeyman or tradesman (in vocational training) whose behavior form the basis for the model. Even though one weakness of apprenticeship style of training is that a masters knowledge may be tacit (subconsciously implicit but not understood by the learner), and a master may not be able to explain some of their deep knowledge that is taken for granted, Bobo makes his best attempts within the text of the book. Even though I have a book at hand, written by a master of coin magic, clearly this is not an apprenticeship. Rather, this is like guided experiential learning; a sort of mix with apprenticeship and experiential learning.

It would seem that my approach to learning coin magic is working. I might attempt to locate some videos or supplementary materials that could contribute to some of the finer details and nuances of my skills. It would be great if there was a Competency Based Learning course for some of this material, like Khan Academy for coin tricks. Although, there would be no way for assessments on one’s success. But there might be some room here if the course could teach all of the theory with images, and video demonstrations which highlight nuances and individual steps. Assessments could be done on theoretical knowledge of each coin trick, collections of coin tricks, or theory of general skills one needs to know for most advanced coin magic (palming or vanishes for example).

Progress Report

Here is a list of my progress videos. Please forgive the choppy, tacky backgrounds in some of the videos. I was playing around with some of the Apple software for a video program and I didn’t have a consistently colored background nor did I have a good lighting source so the result is some strange effects.

Standard Vanish

Tunnel Vanish

Back Clip Vanish (changed from “Through a Handkerchief” per Learning Plan)

Smart Vanish

Touch of Midas

Not shown due to “cringe factor”; lack of skill reveals too much about how exactly the trick is accomplished, detracting from its visual appeal. In addition, the trick requires some narration of the story about King Midas to serve as a distraction, but I can’t seem to be able to speak clearly nor in a fluid way while I’m going through deliberate, unskilled coin manipulations. However, I was able to get through each of the steps for this trick and eventually make it work, but due to my lack of skill the illusion wasn’t an illusion at all. Rather, it was quite embarrassing.

Featured image by Maria Calvo [3]

References

[1] https://www.youtube.com/watch?v=MFzDaBzBlL0

[2] https://www.goodreads.com/author/quotes/4577067.Stephen_McCranie

[3] https://www.flickr.com/photos/146762478@N05/

Post 1: A Learning Plan (Week 1 of the Personal Learning Challenge)

This post will serve as a learning plan for the Personal Learning Challenge that takes place throughout the EDCI 335 course.

I’ve always been interested in magic. A friend of mine can use magic to influence people in a very positive way. I noticed that his skills in magic resulted in a powerful social tool as an ice-breaker or a way to make friends. I have always admired his skills, but I don’t think they don’t come easy. At one point my friend showed me a card trick that was quite impressive. I asked him how long it took to learn, and he indicated that he stayed up all night learning the trick until his fingers had blisters. This type of dedication is quite admirable. However, a few questions arise in analyzing this technique of learning card tricks. If I wanted to learn a few card tricks of my own, would I need to stay up all night until my fingers had blisters? Would the same trick take me a lot longer to learn than my friend given that I have next to zero magic trick experience? How many times would I need to practice a magic trick skill until I could convincingly execute a non-trivial magic trick? Is there a difference between learning an abstract concept and learning a physical manipulation concept? It is important to consider the answers to questions like these when setting out to learn a new skill.

My aim over the next five weeks will be an attempt to learn a series of at least 5 coin tricks. I have zero coin trick experience aside from attempting to “palm” a coin, which means hiding a coin in your hand in such a way that one’s hand appears natural and relaxed to an outside observer. In learning these tricks, I will attempt to apply some basic learning principles based on concepts from the UVic EDCI 335 course, and from supplementary materials based on my own research.

Clarissa Sorenson-Unruh, in her post “Learning – The Neuroscience and the Neuromyths” indicates that three things occur when we learn something: encoding, consolidation, and retrieval [1]. How does learning a coin trick differ from that of learning an abstract concept like calculus for example. Learning coin tricks certainly involves encoding, consolidation, and retrieval, but it is much different from the kinds of learning done in a typical university setting. During most of my time at UVic, much of my effort has been spent learning mathematics, programming concepts, and algorithms. This involved primarily visual and semantic encoding, with very little tactile encoding [2]. Instead, the focus is on looking at the steps for a specific trick, reading or hearing a detailed explanation of each step, and then deliberately moving through the steps one at a time until these steps can be replicated without the crutch of the learning material in front of one’s eyes. Here we see the encoding portion which involves visual encoding by reading a book or watching an example video. Then, there is tactile encoding which involves manipulating a coin, feeling the weight of it, the shape of it, and moving it in such a way as to convincingly complete a trick and fool an observer. We then consolidate the memory of our slow and deliberate action, completing the coin trick by continuously practicing the movements step-by-step over and over until the trick becomes nearly instinct. The movements will become fast and smooth and almost unconscious. Years later, these tricks should presumably be replicated or learned again quickly through the process of retrieval assuming that the initial encoding and consolidation steps were successful.

One could argue that mathematics can be learned in the same way: write out the procedure to solve this one specific problem, manipulating the pencil in such a way as to make the exact same strokes and marks on the paper until such time as the movements of the pencil eventually result in the correct answer for the one specific problem every time. Tactile encoding might be successful for one problem, but issues arise when we are required to apply our knowledge dynamically. One change in value or small deviation in a math problem will render our purely tactile memory of how to solve a math problem totally irrelevant. This is where we see the largest difference between tactile and semantic encoding. While learning a coin trick and learning a calculus technique both involve visual and/or audio encoding, one relies primarily on tactile encoding, and one relies primarily on semantic encoding. However, both skills rely, at least in part, on a combination of all types of encoding. Tactile encoding is required to manipulate a pencil correctly, and there is some evidence to suggest that writing out the solution to a problem results in better learning outcomes [3], but semantic encoding certainly is the primary action that occurs in learning how to apply a general mathematical concept to a dynamic set of problems. Semantic encoding is required to understand how one small aspect of coin manipulation can be applied to many types of coin tricks, coin palming (hiding a coin convincingly in the palm of one’s hand) but simply reading a book over and over, writing out the steps for a coin trick ten-thousand times is no substitute for practicing that same trick with physical coin manipulation even one-hundred times. Certainly, tactile encoding is the primary mechanism for learning coin tricks. This means I will need to physically practice these tricks over and over until they become natural.

Based on this analysis of the types of encoding required for different skills, I will attempt to learn at least five non-trivial coin tricks in the coming four weeks using physical manipulation of the coins and not simply theoretical concepts of the tricks themselves.

I plan to learn and track the progress of my learning experience with the following strategy:

  1. Research of the 5 coin tricks and a description of their outcome
  2. Daily progress report on each of the tricks
  3. A video documentation of the level of proficiency based some number of practice sessions.
  4. A mirror used for immediate feedback and adjustment of technique or behavior for successful completion of the coin trick.
  5. A comparison between my first attempts at learning each trick, and my final attempts.
  6. A final analysis of my experiences of what worked and what did not.

Assessment of the success or failure of the learning of my new skill will be nearly immediate. If these skills are practiced in front of a mirror, or recorded on video and played back, I will be able to have an immediate indication about what went wrong, or where my skills can be improved. This principle is similar to B.F. Skinner’s approach in his theory of programmed learning. While not exactly programmed learning (since I’m not following a pre-designed program of step-by-step coin magic skills) I will still employ the principle of immediate feedback, which is what Skinner’s learning machine was based on [5]. In a sense, I am using Skinner’s behaviourism approach since the success of each practice session can be based on positive or negative feedback. If my trick is successful, the illusion will be convincing and natural looking. On the other hand, if the trick is unsuccessful, the illusion will not be an illusion at all, but rather an amateur attempt that fools nobody. I wouldn’t necessarily say that my learning plan is based on an Objectivist approach since these skills aren’t based on learning a body of knowledge, rather, they will be based on learning small aspects of a very large body of knowledge (a book of coin magic for example) and practicing these small aspects basically through rote-repetition.

Some preliminary research into coin magic books reveals one very promising option by author and magician J.B. Bobo who wrote “Modern Coin Magic” published in 1952 [7]. I will list the tricks themselves, and their effects, but not the underlying steps taken in order to achieve their effects. I will exclude the step-by-step trick method details since this blog is publicly accessible and the trick materials themselves are a purchased product:

This book was available for a reasonable price on Amazon, so I purchased a digital copy of it.

Browsing the book for coin tricks which range in difficulty from simple through difficult, I chose five tricks which I believe covers a wide range of trick difficulty levels, and that tricks looked interesting to me. The tricks that I will attempt to learn over the coming weeks are as follows (excerpts taken, in part, directly from “Modern Coin Magic”):

The Standard Vanish (Pg 21. J.B. Bobo’s “Modern Coin Magic”)
The coin rests near the ends of the two middle fingers of the right hand, Fig. 1. Right hand describes a counter clockwise movement, turning back upwards as the fingers curl inward and press the coin into the classic palm position where it is retained. This action takes place under the guise of supposedly placing the coin into the left hand, Fig. 2. The left hand closes as if it holds the coin. Look at and point to the left hand. Then snap the right fingers at the left hand. Open the left hand slowly and mysteriously. The coin is gone.

This trick appears to be on the easier end of the spectrum since it is just a “coin vanish” type which involves few steps. It is one of the first tricks one learns in Bobo’s book. From a beginners perspective, I rate this trick as elementary.

The Tunnel Vanish (Pg 24. J.B. Bobo’s “Modern Coin Magic”)
Hold the left hand palm downward and close it into a loose fist so only the thumb and forefinger touch. The right hand holds the coin horizontally between the forefinger and thumb – thumb is on top Fig. 1 … Left hand closes into a tighter fist and the right forefinger gives a final poke into the left fist. It appears that the coin was pushed into the left fist and then given a final poke with the right forefinger. The left hand is then turned palm up, opened, and shown empty. The coin has faded into nothingness…

This is another coin vanish, but there are more steps involved and appears to be slightly more difficult than the Standard Vanish. I rate this trick as potentially intermediate.

Through a Handkerchief (Pg 68 J.B. Bobo’s “Modern Coin Magic”)
A coin in caused to penetrate the fabric of a pocket handkerchief in a baffling manner…

This trick involves many more steps than either the Standard Vanish or the Tunnel Vanish. I would rate this as somewhere between intermediate and advanced difficulty.

Smart Coin Trick (Pg 83 J.B. Bobo’s “Modern Coin Magic”)
A borrowed half dollar is balanced on the tip of the right forefinger. The left hands forms a fist around it. The right hand is withdrawn and shown empty back and front, fingers wide apart. Right hand removes a handkerchief from the breast pocket, and holds it by one corner. Left hand is slowly opened, palm toward spectators, fingers wide apart. The coin has faded away!

This trick involves many more steps than Through a Handkerchief and involves coin and prop transfer to and from both hands. I am not a magician, so I will estimate the level of difficulty of this trick at advanced.

The Touch of Midas (Pg 90 J.B. Bobo’s “Modern Coin Magic”)
The conjurer shows his left hand empty and closes it. A spectator touches his left wrist. When the hand is opened it contains a coin! The coin is removed. This procedure is continued until four or five coins are produced.

Given my limited knowledge of the level of coin magic, I will rate this one (relative to the level of difficulty for beginners) as advanced, since it involves potentially impromptu palming or hiding multiple coins from observers.

Certainly, learning these tricks will be challenging, especially if the final result will produce a convincing illusion. I look forward to the challenge of learning the tricks themselves, and to documenting my learning experience within the context of the EDCI 335 course.

References

[1] https://clarissasorensenunruh.com/2019/04/20/5r-adult-learning-assignment-learning-the-neuroscience-and-the-neuromyths/

[2] http://www.human-memory.net/processes_encoding.html

[3] https://www.npr.org/2016/04/17/474525392/attention-students-put-your-laptops-away

[4] https://opentextbc.ca/teachinginadigitalage/part/chapter-2-the-nature-of-knowledge-and-the-implications-for-teaching/

[5] https://www.youtube.com/watch?v=jTH3ob1IRFo

[6] Featured image credit to Flikr user reynermedia
https://www.flickr.com/photos/89228431@N06/

[7] https://www.amazon.ca/Modern-Coin-Magic-J-Bobo/dp/0486242587/ref=tmm_pap_swatch_0?_encoding=UTF8&qid=&sr=

Introduction

Hello to anybody reading this website. My guess is that you’re either a university instructor or a fellow student for UVIC EDCI 335 during the Spring 2019 semester.

My name is Alex Deweert. I am a University of Victoria student currently finishing the last semester of a Computer Science Undergraduate degree (BSc) and this course is an optional elective. I chose it because the description seemed interesting and potentially useful for future teaching or learning endeavours.

My interests are in Web Development, Game Development, and just general computer programming and technology. My skills are very broad but include knowledge and proficiency in many programming languages.

I am a mature student (36 years old at the time of this post) who changed career paths four years ago in order to pursue this degree. It has been a long and challenging experience, but I am quite happy to have made the decision to be here.

I look forward to reading some of the other students posts, and to diving into the course material for this semester. I can be contacted via any of the social media links at the top of the home page of this blog.

One of my favourite learning experiences

Before I went to UVIC, I was deeply rooted in a career that I didn’t like. In fact, I hated it, but I was tied to a mortgage, car payments, and various other responsibilities; I was firmly trapped by a pair of “golden handcuffs”.

A byproduct of my unhappiness was to seek external learning opportunities for a topic that had always interested me, but that I had never pursued. I enrolled into part time studies at BCIT in Vancouver. Once a week after work, I would go to the Burnaby or Downtown Vancouver campus in order to learn topics in Computer Science in a 3 hour lecture.

I remember my very first class was Introduction to Programming. This was a course where I learned very basic Java programming syntax. I remember being a 29 year old worker drone trapped in a soul crushing career, quite disenchanted with my life until that point. However, that very first class learning something that I was truly interested in sparked an intense feeling of curiosity and magic. When I review some of my early assignments from that time period, the tasks were trivial, but when I re-experience those moments in my memory I am overwhelmed with feelings of nostalgia.

My first class at BCIT was done at 7 pm once a week, and I would trudge into the classroom tired from a job I hated but couldn’t get out of. Once I sat down and started to listen to the lecture following along with example code from an overhead projector, my energy was renewed. I felt the weight of my other life lifted from my shoulders and I began to feel optimism and excitement for the possibilities.

In retrospect, I was drawn to a specific kind of learning that I don’t really have a name for. Essentially, you see an example of a programming tool, working through the example slowly with an instructor, and then waiting for a task after the lesson. You’re not told how to complete the task, but you now know the tool that you were exposed to not 10 minutes earlier. Programming can be a painstaking process on large projects, but even on large projects, small pieces of code can be run and tested. These small pieces of code will either succeed or fail, but they occur in rapid succession. It is possible to experience instant gratification in ones work while programming. It’s like building a giant Lego castle out of a bunch of smaller Lego modules that themselves are assembled from individual Lego components. Large problems can be broken down into sub-problems, and sub-problems can be broken down into sub-sub-problems and so on. We refer to this method of problem solving as divide and conquer.

In summary, one of my favourite learning experiences was based on a combination of learning something brand new for the first time that involved problem solving, creativity, and a feeling of magic and nostalgia all wrapped into one.